MUROS

LOS

MUROS

Muros los Muros was produced in San José, Costa Rica, around 2016. It emerges from a formative moment, the work reflects a visual language shaped by an intense engagement with postwar Japanese photography, particularly figures such as Daido Moriyama and Takuma Nakahira, as well as the disruptive ethos of Provoke magazine. These references operate less as direct citations and more as an underlying condition, informing the work’s texture, rhythm, and fragmentation.

The images are the result of a prolonged process of drifting through downtown San José over a two-year period. Moving between observation and immersion, the project constructs a fragmented portrait of the city, one defined by its rawness, instability, and intensity.Rather than documenting the city in a descriptive sense, Muros los Muros engages with the street as a site of tension, where visibility and opacity coexist.

The title is drawn from a fragment of the poem “Punishment I” by the Costa Rican poet Virginia Grütter:

«Girando en el parque negro.
Todos son muros.
Muro el piso de tierra.
Muros los Muros.»